Location Information
(for the John W. Boddie House)
Name:John W. Boddie House [Tougaloo Mansion]
Address:Tougaloo College
City/County:Tougaloo, Madison County
Architectural Information
Architectural Styles(s):Italianate
Registration Information
NR Listing Date:13 May 1982
NR District Name:Tougaloo College (1998)
    NR Status:Contributing
    Element No.:4
View National Register Nomination Form
Mississippi Landmark Information
Designated:01-24-2014
Recorded:01-29-2014
Book/Vol. No.:3045/622
Easement Information
Date Signed:08-31-2012
Expires:08-31-2037
Easement Type:Preservation/Maintenance
Book/Vol. No.:V. 2838, p. 833
Context/Comments
In the antebellum period of Mississippi history, preference for the Greek Revival style of architecture overshadowed examples of the other, more picturesque styles made popular by A.J. Downing, A.J. Davis, C. Vaux, and others. In the state context, therefore, the Tougaloo Mansion House, is a significant example of the Italianate style both by the quality of its design and the scarceness of other, equally ambitious examples. It is perhaps the most conspicuous extant work of the locally important architect and builder Jacob Larmour of Canton, Mississippi. Larmour's client was J.W. Boddie, a wealthy planter who died at the end of the Civil War and whose house became the nucleus of Tougaloo College, a site significant to the educational history of black Mississippians.

This building was individually listed on the National Register on 13 May 1982, and it was later included as a “previously listed” element (element #4) in the Tougaloo Historic District, which was placed on the National Register on 31 August 1998.

The house is included in "Jackson Landmarks" (1982) (pp. 131-132), "Great Houses of Mississippi" (2004) (pp.90-92), and "Buildings of Mississippi" (2020) (p.275, in the listing for Tougaloo College, JM71).

Brief Description
The John W. Boddie House, also commonly known as the Tougaloo Mansion, is symmetrically proportioned and exhibits characteristic Italianate elements and ornamentation. The main body of the house rises two stories and is topped by low-sloped, hipped and gabled roofs with broad overhanging eaves and decorative brackets. The central bay of Tougaloo Mansion’s three-bay front elevation projects slightly to create a vertical emphasis that is further strengthened by a central tower rising from the roof above. Tougaloo Mansion has a single-story, full-width porch with a sleeping porch above it on the second floor. Double pilasters emphasize the projecting central bay and single pilasters define the two flanking bays. Wood rails lined with turned balusters run between the pilasters on either side of the central bay. A smaller porch is centered on the north elevation. Simple corner pilasters rise from a wood water table skirt above the stuccoed brick foundation wall to a frieze with continuous acanthus leaf details and dentils below that extends around the house just below the roof brackets. Together, the pilasters and frieze frame each elevation. Wall surfaces consist of horizontal, plain beveled, lapped siding. The one-story rooms attached to Tougaloo Mansions west side deviates somewhat from the organizing framework and language of detail evident in the main body of the house. One of the rooms sits directly in front of the rear door, blocking the main axis of the house. Both rooms are covered by a low-sloped rood with shallow eaves. The windows in this area match those on the rest of the house in height and detail, but are half as wide.

The interior of Tougaloo Mansion is a variation of the central hall plan and was originally identical on the first and second floors. The prominent front door, set within an arched architrave, opens into the central hall, which runs east-west and separates the two sides of the house. The double front doors are of six-panel, stile and rail construction with additional wood molding framing each panel. Above the doors, a semicircular fanlight provides the only direct source of natural light into the entrance hall. The hall contains a dark stained, parquet wood floor and plaster walls and ceilings. A tall wood baseboard lines the perimeter of the hall at the floor. An elaborate plaster frieze cornice runs just below the ceiling. Five tall, six-panel stile and rail doors with transoms open into the flanking rooms. Massive wood architraves surround each door and are topped with broad cornices. From the center of the hall, a long, narrow stair rises up to a landing at the hall’s west end. From the landing, lit from above by a high window, two short flights of stairs double back and lead up to the second floor central hall. The newel post, rails and balusters are of dark stained mahogany and the treads and risers are of dark stained pine. At the top of the stairs on the second floor, the original open central hall has been divided by the construction of a will midway along its length. The floor is dark stained pine and the plaster cornice is simpler than the first floor. At the eastern end of the second floor hall, through an arch with carved wood brackets, a flight of stairs leads to the tower above. The tower room is square and consists mostly of a perimeter walkway.

Historic Information
The Tougaloo Mansion was built for J. W. Boddie, a wealthy planter who died at the end of the Civil War and whose house became the nucleus of Tougaloo College, a site significant to the educational history of black Mississippians. Founded in 1869, Tougaloo College is an early and successful example of the movement to educate newly freed blacks and to place them into an honorable position within Southern society. Tougaloo Mansion served as a dormitory, a classroom building, the library, the president’s residence and an administrative office building

Tougaloo Mansion is a significant example of the Italianate style both by the quality of its design and the scarceness of other, equally ambitious, examples. It is perhaps the most conspicuous extant work of the locally important architect and builder J. Lamour of Canton, Mississippi, who claimed to be proficient in the “…Swiss, Italian, Elizabethan, Norman and Old English styles.” His capabilities were supplemented by woodwork manufactured by Hinkle, Guild and Company of Cincinnati who illustrated an elevation and plan of the house in a circa 1865 catalog.